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6 Reference List: Best Low Light Lens For Nikon D500 | Nikon D500 Lens Mount

  • Another lens that can be considered is the Nikon AF-S NIKKOR 35mm f/1.8G ED, which like the Sigma, can work on both FX and DX. It costs US $459 putting it right in between the two other lenses, and offers superb quality. However, if you are shelling out that much for a 35mm, I’d go for the Sigma ART (check out an early review here). - Source: Internet
  • As for the fact that it is manual focus? Don’t let that bother you. With most portraits you’ll be working slow anyway, and this lens will give you full control. With the D500 it will be effectively 75mm, although of course it will return to 50mm in the case of an upgrade to FX. - Source: Internet
  • This isn’t the cheapest or most popular prime—that award goes to the evergreen nifty fifty Nikon AF-S Nikkor 50mm f/1.8G—but in the long run it will give you the most value for your money as it can be used as a wide-angle if you eventually decide to upgrade to full frame. While it’s true that the two Nikon 50mm lenses also work in full frame, they end up being a bit long in DX with an effective focal length of 75mm. The 24mm f/1.8 will let you work at a constant fast aperture at an effective focal length of 36mm, which is a great all-purpose length. - Source: Internet
  • There’s a good chance that if you are planning to upgrade to the D500 you already have a decent array of DX glass. But even if you don’t, I’m going to assume that at least you own a basic kit lens and hopefully the classic Nikon AF-S Nikkor 50mm f/1.8G, which every photographer should own since it only costs US $169 and is so versatile. - Source: Internet
  • I also haven’t chosen obscenely expensive lenses, but several of these are definitely not budget. Before you raise your pitchforks, do note that I’ve also included some more affordable alternatives on all lenses that cost over US $400. And while there are cheaper pure DX lenses, buying a good lens once is often smarter than acquiring a bunch of lacklustre glass every few years. - Source: Internet
  • Tokina have a good reputation for making some very sharp lenses although traditionally their autofocus performance hasn’t been exceptional. That doesn’t mean it’s slow—just that it isn’t the fastest horse in the race. Fortunately, ultra wide-angles don’t need much speed, and the lens more than makes up for any shortcomings with a constant f/2.8 maximum aperture. With an effective 35mm focal length of 17-24mm, this is the only wide-angle you’ll ever need for DX. - Source: Internet
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